The New Authority: How Emily Faulkner is Redefining Film Criticism

Emily Faulkner is already considered one of the most formidable voices in contemporary film critique. While the internet is saturated with hot takes and casual reviews, Faulkner’s work cuts through the noise, grounded by a sharp intellect and a foundational understanding of cinema history and theory. Her reviews aren't just recommendations; they are deeply analytical documents that bridge the gap between academic rigor and accessible, mainstream commentary.

From Thesis to Theatrical Release

Faulkner’s distinguishing factor is her academic pedigree. Unlike many critics who come from journalism or casual blogging, she holds a postgraduate degree in Film Studies. This formal training provides her criticism with an unusual depth, allowing her to frame modern blockbusters and indie releases within established theoretical structures—from auteur theory to postmodernism.

Her postgraduate work wasn't just theoretical navel-gazing; it directly shaped her critical lens. She often attributes her focus on cinematic language—editing, mise-en-scène, and sound design—to her research. “It’s easy to talk about plot and performance,” Faulkner once noted in an interview, “but true film appreciation requires understanding the grammar the director is using. My goal is to decode that grammar for the audience.”

A Style of Precision and Passion

Faulkner's writing style is characterized by its precision. She wields complex terminology with ease, but never sacrifices clarity. Her reviews frequently analyze a film’s technical execution as meticulously as its thematic resonance. Whether she is dissecting the use of negative space in a horror film or the political subtext of a costume choice in a historical drama, her arguments are meticulously supported by evidence drawn directly from the screen.

Her primary platform, an influential digital journal focusing on arts and culture, has given her a wide reach, allowing her intellectual approach to influence a younger generation of movie-goers who are hungry for substance beyond surface-level reviews. Her critique of a recent high-budget action movie, where she praised the practical effects while simultaneously faulting the narrative structure for relying on 'pastiche over purpose,' became a major talking point across social media, showcasing her ability to blend highbrow analysis with popular discourse.

The Future of the Form

In an era where attention spans are shrinking and critical dialogue often devolves into binary reactions (love it or hate it), Emily Faulkner represents a refreshing counterpoint. She champions the idea that criticism is not about judgment, but about thoughtful interpretation and intellectual engagement.

Her contributions are helping to legitimize film criticism as a serious academic and cultural art.


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ABOUT ME :

Emily Faulkner is a certified post-graduate film reviewer and writer, who contributes critiques to publications and online platforms worldwide.

Born and raised in Sussex, England Emily is known for her in-depth analysis and breakdown techniques, garnered from her three-year motion picture and film studies degree, where she graduated with an M.A.

She excels at full descriptive essays and critiques, highlighting the cause, effect and impact of the desired message relayed by the filmmaker.

A recent work is her detailed review of the 2024 found-footage horror film, Late Night with the Devil, published in November 2025. In her assessment, Faulkner described the film as "stunningly original," praising its successful blend of the live 1977 talk show aesthetic with "chilling glimpses of the 'off-air' reality" shown in black and white. She highlighted this duality as the film's "greatest structural strength," responsible for creating a "sustained, suffocating tension." Faulkner ultimately concluded the movie was "smart, stylish, and genuinely terrifying," cementing its place as an essential, innovative horror release.

She is also a very adept music reviewer, contributing material on many genres both current and past,  with her extensive knowledge of film and use of music within the film industry medium.

Emily continues to write film reviews and is also co-scripting material with award-winning indie writer/director Trevor Hayward which will be going into production early 2026.